WSB-TV Photographer Assaulted

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WSB-TV Photographer Assaulted in SW Atlanta

ATLANTA -- A WSB-TV/Channel 2 news photographer was assaulted early Tuesday in southwest Atlanta by a group of men who threatened to shoot him.

Luis Argumedes told police he was in a marked station news van that was parked on Sylvan Circle when four men approached the vehicle around 1 a.m. One of the men pulled out a gun and ordered him out of the van, Argumedes said.

The suspects struck him on the head with the weapon before Argumedes fled from the scene. He told police the men argued over who would shoot him.

No suspects have been arrested in connection with the incident. Anyone with information was asked to call Atlanta police.
Upon reading this article and after a brief encounter of my own last week that could have turned ugly, I am wondering what measures do other photogs take in order to avoid situations like the one in the article.

I have always just simply trusted my gut instincts. I try to always assess assignment locations for any possible threats upon arrival. This doesn't always work, espcially when there's so much going on, that you can't decifer between the friendly folks and the easily provoked beligerent thuggish "what-the-hell-are-you-doing-here-you-chinkbastard" "get-outta-here-or-else" people.

This past week, while on a shoot, I was surprised from behind by this big drunk guy, that felt we shouldn't be there. I could smell the alcohol on his breathe, and the anger in the air as this guy proceeded to give me a peice of his mind.

Now, normally I don't stress over things like this. At all. And I am sure every one of us have been approached in a similar manner. But while this giant was in my face it dawned on me that it was 3 AM and not a soul around. And I am out on location setting up a live shot, waiting for the rest of the crew to show up, and right behind me is thousands of dollars worth of equipment.

A number of things could have happened here, but didn't. I like to think that it was because of the years of experience I have in dealing with these types of situations. I don't know. But I can't help but wonder why there is nothing in field trucks available for photogs to use in case of emergencies, such as the ones listed.

Something other than the two-way, cell phone, and pager I carry on me all the time. I can just imagine whipping out my two-way and warning people like the ones who assaulted Luis, "Don't make me radio the station." Or pulling out my pager as if it were a weapon of some sort.

No, I mean something like a panic button somewhere in the truck or stun gun. Actually, now that I wrote that down, I can see why there isn't something like that. A panic button...r-ah-ight...there have been a few co-workers of mine in the past that would have tripped that trigger with the most harmless of confrontations. And a stun gun. Ha. I don't know how many articles I have read recently about reporters doing stand-ups zapping themselves with one. I can just imagine the effect it would have on that guy who confronted me. He'd probably crack up laughing, he was so drunk.

I guess all we have is our wits...And like Luis, the ability to run...real fast. Don't know the guy, but I am glad to hear he's alright. I swear, in some areas, we should get hazardous pay. Anyways, be careful out there.
 
Keri Burns and I were set up for a liveshot outside of a Widespread Panic Concert .... (In a black hole, but that's another story.)

We're about 10 out when big drunk guy approaches and proceeds to hug her, tell her how beautiful she is, "hey beautiful can I be on TV" etc etc etc ... The producer asked us in IFB if we needed help. Keri simply picked up the mic and asked her to call the cops. We could see the blue lights in front of the concert venue from where we were set up, but they're several hundred yards from our position. (yet another story, this night was full of 'em!)

Once the producer was able to explain to the highway patrol where we were and what we needed, they simply walked over and arrested the guy.

Actually it went more like this - Producer is freaking out because we're supposed to lead and we're only about a minute out - Cop walks up, grabs drunk guy, flips him around against the front of the live truck - I spin the camera so the producer can see what is up - she cheers "Oh that's too cool, 30 seconds" - I spin back around, center up, yell "Thanks" to the cop, and Keri starts that little nod "yes I'm waiting for the toss" that they all do.

Too bad she missed it because the lights were in her eyes. It was undoubtedly the coolest cop related thing I've ever been witness to.

I also have another story from that day about the drunk guy who didn't want his picture on tv and was coming after me, but I'll save that til later. That story is the one about "how I came to trust my reporter to have my back."
 
Many years ago I took a class called Verbal Judo for Law Enforcement. The website (www.verbaljudo.com) defines:

"Verbal Judo, or Tactical Communications, is the gentle art of persuasion that redirects others behavior with words and generates voluntary compliance."

One of the best courses I ever took. I've had reporters who are looking to pick a fight because there Motrin ran out, and divert their attention from me to a mutual topic, so I could relish in the b!tc*-fest. Granted, 2 min. out from a live and a drunk comes up...it's not gonna work. But I'm not going to call the cops if he's not a violent drunk. I see THAT as God's way of paying me back for my numerous drunken episodes.
 
Originally posted by Anton Saur:
Many years ago I took a class called Verbal Judo for Law Enforcement. The website (www.verbaljudo.com) defines:

"Verbal Judo, or Tactical Communications, is the gentle art of persuasion that redirects others behavior with words and generates voluntary compliance."
...
Personally, I'm a "Pearlescent Yellow/Green" Belt in Nasal Tai Chi.

Color me dangerous.
 
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