McFly
Well-known member
Last Saturday we had a training session with P2 cameras and Avid Liquid.
The Avid was fairly easy for me to pick up, it's similiar to FCP.
I thought it was okay, but with one MAJOR DRAWBACK. Before laying your sequence to tape, you have to color correct each and every clip!
What sense does that make?
Some packages may have 20-40+ clips to correct! And trying to do that on a tight deadline? It seems it may be a recipe for disaster!
Does anyone know a way around this or this just the way it is?
The Avid was fairly easy for me to pick up, it's similiar to FCP.
I thought it was okay, but with one MAJOR DRAWBACK. Before laying your sequence to tape, you have to color correct each and every clip!
What sense does that make?
Some packages may have 20-40+ clips to correct! And trying to do that on a tight deadline? It seems it may be a recipe for disaster!
Does anyone know a way around this or this just the way it is?